As years go, 1984 turned out a lot better than George Orwell’s vision had it. In American film, it was a lull between the stylistic breakouts of the ‘60s and early ‘70s and the commercial mushrooming ...
When you think of the term "cult classic," one of the first titles that leaps to mind is 1984's Repo Man, with Emilio Estevez and Harry Dean Stanton as a couple of auto reposessors who, let's just say ...