Don't go anywhere. Don't leave your house, and if you do leave your house, don't leave your hometown. And if you do leave your hometown, don't go out to the middle of nowhere. And if you do go out to the middle of nowhere and someone asks you all to surrender your cell phones,

John Malkovich leans into his regular off-kilter creepy to play the unlikely pop star at the center of this serious misfire by the A24 studio, a movie that also manages to pull “The Bear” star Ayo Edebiri back to earth. How both could be totally miscast will haunt your dreams.

Casting is important. I feel like I’ve seen dozens of interviews with directors who humbly suggest that once you hire the right actors and let them do their thing, brilliance follows. It’s rare these days to see a truly rotten pairing of performer and role,

Dorchester’s Ayo Edebiri plays a young journalist who’s invited to the desert compound of Malkovich’s cultish character, Moretti.

Malkovich tells Consequence that "I've done all kinds of unlikely things, but that was really a singular experience." How John Malkovich Manipulates the Music in Opus

The iconic actor and writer-director Mark Anthony Green discuss the thriller and who inspired Malkovich's maleficent Moretti, a man who puts the cult in pop culture.

The famously intense actor is a bad fit for the role of a dance-pop megastar in Mark Anthony Green's debut film.

Grae Drake is at Graumann's Egyptian theater in Los Angeles talking to the stars of Opus about what makes celebrities fascinating. Ayo Edebiri, John Malkovich, Juliette Lewis, director/writer Mark Anthony Green,