The proscenium arch perfectly framed a still-glowin,’ still-crowin’ Carol Channing in “Hello, Dolly!” and drew all eyes to a gravity-defying Idina Menzel in “Wicked.” Beyond creating some of the ...
Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. Not all stages are created equal. Theater structures vary widely depending on ...
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