In his first New York appearance since the termination of his contract as BSO Music Director, Nelsons courts public sympathy ...

The CBSO present the work of three European émigré composers of the 1930s and 40s, who reimagined their musical influences with contrasting approaches and results.

The sparkle of Max Bruch's Fecond Violin Concerto and the drama of Beethoven's Pastoral Symphony overcome the gloom of Anna Thorvaldsdottir’s dark forebodings.

In a tremendous triple bill at New York City Center, Martha Graham’s genius and Janet Elber’s stewardship of the company into ...

Karin Bergmann will oversee the 2026 Festival in the absence of Markus Hinterhäuser, the former Artistic Director who was ...

The LA Phil's new post, beginning in the 2026–27 season, will complement the position of Creative Director in the absence of ...

The Hong Kong-born conductor talks about her entry into music, her love of big Russian repertoire, her “Cinderella moment” ...

Among the most performed living composers by orchestras worldwide, Montgomery talks about her personal approach to musical ...

From Three Screaming Popes to Pictures at an Exhibition, a pair of works inspired by paintings frame a violin concerto by ...

Atlanta Ballet's Golden Hour program featured two world premieres and the Atlanta premiere of Christopher Wheeldon's Within ...

The Austrian conductor reflects on his seven year tenure with the Singapore Symphony Orchestra, work and life, returning to ...

Beethoven's Christus am Ölberge is paired with Haydn's Die sieben letzten Worte, a journey from agony to transcendence in ...